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Sq'éwqel Community School

Architect: Patkau Architects Inc.
Project Team: Gina Dhein, Greg Johnson, Andrew Larigakis, John Patkau, Patricia Patkau, Elizabeth Shotton, Tom Van Driel

Consultants:
Structural: C. Y. Loh Associates Ltd.
Mechanical / Electrical: D. W. Thomson Consultants Ltd.
Costing: Hanscomb Consultants Inc.
Landscape Architect: Christopher Phillips & Associates
Site Development: Novatec Consultants Inc.
Contract Managers: Newhaven Projects Limited Partnership

Images
Patkau Architects (1, 5, 18-22)
James Dow / Patkau Architects (2-4, 6-17, 23-26)

Recognition

1992 Governor General’s Medal in Architecture
1992 Lieutenant Governor’s Medal in Architecture
1992 Canadian Wood Council Honour Award
1989 Canadian Architect Award of Excellence

Description

The school (formerly known as the Seabird Island School) was sited along the open northern edge of an existing green space around which a variety of community buildings are located. By making the school a part of the village common space, interaction between the school and the community is encouraged. At the same time, the extreme winter winds which are funnelled between the mountains down the river valley from the north are now mediated by the large mass of the school.


In mediating between the extreme winter winds from the north and the favourable exposure toward the south, the mass and scale of the school undergo a transformation. On the north, large sculptural volumes are closed diverting the winds much like the mountains which surround the site. To the south the scale is small, the building open under generous eaves. A complex, more tectonic quality not present in the sculptural forms of the north is introduced here through the use of a variety of struts, beams and trellises.


Walls and roofs are clad, generally, in cedar shingles. As they weather, these shingles will shade from a soft silver-grey to a deep red-brown depending upon orientation and exposure. In this way the sculptural volumes of the north will be enriched and subtly exaggerated. Under the broad eaves of the south walls are clad in translucent white plywood panels to increase luminosity and provide a contrast to the weathered character of the north.

Certifications

Description

The school (formerly known as the Seabird Island School) was sited along the open northern edge of an existing green space around which a variety of community buildings are located. By making the school a part of the village common space, interaction between the school and the community is encouraged. At the same time, the extreme winter winds which are funnelled between the mountains down the river valley from the north are now mediated by the large mass of the school.


In mediating between the extreme winter winds from the north and the favourable exposure toward the south, the mass and scale of the school undergo a transformation. On the north, large sculptural volumes are closed diverting the winds much like the mountains which surround the site. To the south the scale is small, the building open under generous eaves. A complex, more tectonic quality not present in the sculptural forms of the north is introduced here through the use of a variety of struts, beams and trellises.


Walls and roofs are clad, generally, in cedar shingles. As they weather, these shingles will shade from a soft silver-grey to a deep red-brown depending upon orientation and exposure. In this way the sculptural volumes of the north will be enriched and subtly exaggerated. Under the broad eaves of the south walls are clad in translucent white plywood panels to increase luminosity and provide a contrast to the weathered character of the north.

Location

Size

Client

Agassiz, British Columbia, Canada

2,190 sq m / 23,570 sq ft

Seabird Island Band

Description

The school (formerly known as the Seabird Island School) was sited along the open northern edge of an existing green space around which a variety of community buildings are located. By making the school a part of the village common space, interaction between the school and the community is encouraged. At the same time, the extreme winter winds which are funnelled between the mountains down the river valley from the north are now mediated by the large mass of the school.


In mediating between the extreme winter winds from the north and the favourable exposure toward the south, the mass and scale of the school undergo a transformation. On the north, large sculptural volumes are closed diverting the winds much like the mountains which surround the site. To the south the scale is small, the building open under generous eaves. A complex, more tectonic quality not present in the sculptural forms of the north is introduced here through the use of a variety of struts, beams and trellises.


Walls and roofs are clad, generally, in cedar shingles. As they weather, these shingles will shade from a soft silver-grey to a deep red-brown depending upon orientation and exposure. In this way the sculptural volumes of the north will be enriched and subtly exaggerated. Under the broad eaves of the south walls are clad in translucent white plywood panels to increase luminosity and provide a contrast to the weathered character of the north.

The school (formerly known as the Seabird Island School) was sited along the open northern edge of an existing green space around which a variety of community buildings are located. By making the school a part of the village common space, interaction between the school and the community is encouraged. At the same time, the extreme winter winds which are funnelled between the mountains down the river valley from the north are now mediated by the large mass of the school.


In mediating between the extreme winter winds from the north and the favourable exposure toward the south, the mass and scale of the school undergo a transformation. On the north, large sculptural volumes are closed diverting the winds much like the mountains which surround the site. To the south the scale is small, the building open under generous eaves. A complex, more tectonic quality not present in the sculptural forms of the north is introduced here through the use of a variety of struts, beams and trellises.


Walls and roofs are clad, generally, in cedar shingles. As they weather, these shingles will shade from a soft silver-grey to a deep red-brown depending upon orientation and exposure. In this way the sculptural volumes of the north will be enriched and subtly exaggerated. Under the broad eaves of the south walls are clad in translucent white plywood panels to increase luminosity and provide a contrast to the weathered character of the north.

Description

The school (formerly known as the Seabird Island School) was sited along the open northern edge of an existing green space around which a variety of community buildings are located. By making the school a part of the village common space, interaction between the school and the community is encouraged. At the same time, the extreme winter winds which are funnelled between the mountains down the river valley from the north are now mediated by the large mass of the school.


In mediating between the extreme winter winds from the north and the favourable exposure toward the south, the mass and scale of the school undergo a transformation. On the north, large sculptural volumes are closed diverting the winds much like the mountains which surround the site. To the south the scale is small, the building open under generous eaves. A complex, more tectonic quality not present in the sculptural forms of the north is introduced here through the use of a variety of struts, beams and trellises.


Walls and roofs are clad, generally, in cedar shingles. As they weather, these shingles will shade from a soft silver-grey to a deep red-brown depending upon orientation and exposure. In this way the sculptural volumes of the north will be enriched and subtly exaggerated. Under the broad eaves of the south walls are clad in translucent white plywood panels to increase luminosity and provide a contrast to the weathered character of the north.

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